Intelligent Plants in Science Fiction

All of us could be players on the world stage, still the question remains why we reveal the emotional responses to the happenings depicted from the fiction, whether in print or visual presentation, as in real life? Much like dreams our imaginations become presented to us on the mental screen as if we had been watching television or movies. And as in dreams the real world becomes supplanted by the virtual universe even though we are fully awake. That planet still has great resemblance to the actual one and what happening in it seems real due to something changing in our cognition school. But the mechanism which triggers our emotional responses stays unchanged and therefore we respond to this fiction in precisely the same way as in real life.

Here we have some similarity with the digital reality of the modern computer technology, which is an artificial environment created by software. It is introduced to the audience in such a manner that the individual temporarily suspends own belief pattern and takes it as a true atmosphere. In a way it is not different from the phenomenon of being transported to the imagined universe of fiction, except that the computer performing the job is in mind and we don’t have any clue regarding what is the applications and who’s your developer.

That brings us to the reason for emotional response itself. In respect to fiction the most frequent emotions are likes and dislikes that may turn into their more powerful forms of hate and love. In real life we love or hate someone because of a few attachment through kinship, friendship, or even through indirect understanding of the individual. One cannot love or hate a person one does not understand in any way. Attachment can also be on other living beings, material things, and to imaginary things. We love or hate a narrative or even a notion. For a typical person it’s not possible to live unattached to things in the world. If a person can get rid of attachment, one unites the rank of educated souls who are indeed rare. We carry our capacity and desire for affection even into the imaginary world of fiction. We see the characters we come to understand as the narrative progresses, form our preferences, and respond in the identical way like in real life except we cannot socialize with them physically. But we do interact together in our heads and hearts from where the feelings come. Hopefully it is very clear that my sources is something that can have quite an effect on you and others, too. We do understand very well that your situation is vital and matters a great deal. We will commence the rest of our conversation right away, but sometimes you have to stop and let issues sink in a little bit. This is the type of content that people need to know about, and we have no problems saying that. The last outstanding areas for conversation may be even more important.

The fact is that in a certain sense itself is fiction. Just like a story it’s a beginning, an end, and also plenty of things in between. We do not know who writes this fiction will ever understand. Thus we have an innate affinity with fiction and cannot completely detach ourselves from it. And maybe that is the reason why, while reading or seeing fiction we get dropped subconsciously in the wonderland of creativity, but for that brief period we function exactly in the same way as we want in the real world of our perception. In that sense fiction is simply invented reality.

Theme is the reason fiction matters, because it’s the quality that gives the narrative a universal appeal. Some say theme is what the story is about, but that is too ephemeral a definition, which might get confused with all the idea or the storyline.

Theme enriches and inspires the reader when saying something profound about the human condition. Theme is the abstract notion behind the narrative forming the narrative’s heart and soul that the exposition, dialogue, and action reflect every chance they get.

Theme is not the characters or the storyline or the original idea that started the story. By way of instance, a writer may begin with the idea of exploring family connections between women, but as his story progresses, his theme may shape up as understanding and forgiveness between different generations of guys. There are some topics on which it is very hard to write any kind of story.

Theme is indicated, sometimes without the author’s understanding of it at the start; nonetheless, more seasoned writers usually work on their theme harder than any other part of the story as soon as they catch on to what it is they are writing about.
In non-fiction, the author is advised to hone into his theme and begin referring to it right at the first paragraph. In fiction, on the other hand, the theme usually blossoms through the writing as the story progresses.

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